In addition to my work with clothing, I pursue an independent artistic practice. My interest is mostly in texture - starting from appreciation of the natural imperfection of the leathers I’d work with in the studio, then branching out into other found materials.
Texture Transfer Prints
Acrylic paint is applied to various leathers (primarily horse, ponyhair, wild boar, and mink) and then stamped on paper. This is done sometimes several times, as I cover sections with white paint and apply new layers of texture.
Texture Transfer Repetition (unfinished)
An evolution of the methods I developed in the earlier series, on a larger scale. This piece is designed to be a constant work in progress - I cover and repeat sections in an attempt to find visual balance from uncontrollable natural elements.
Covered Canvas
Leather is stretched across a canvas, allowing the texture and variations of the leather to become the focal point for the viewer.
